That window there…. The whole place and everything in it aimed at one thing—to illustrate, to elaborate, to criticise and illuminate, and make ever plainer and plainer the significance of animal and vegetable structure. He did it, he said, “to distract his mind. And there was no intimation whatever that the blinds would ever go up or the windows or doors be opened, or the chandeliers, that seemed to promise such a blaze of fire, unveiled and furnished and lit.
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