Over the mantel, set into an ornately carved panel with fluted columns at each end, was a portrait of a man on horseback. The cell in which she was confined was about six feet long and four wide; the walls were scored all over with fantastic designs, snatches of poetry, short sentences and names,—the work of its former occupants, and of its present inmate. In this room was my ruin begun: in this room it should be ended. Because every mistake you make, for every new mishap, Joe, I take a finger.
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