The Magdalene XIV. I swore I would bring your husband to the gallows,—would plunge you in such want, such distress, that you should have no alternative but the last frightful resource of misery,—and I also swore, that if you had a son he should share the same fate as his father. "It's an ill wind that blows nobody good," thought the carpenter, turning his attention to the child, whose feeble struggles and cries proclaimed that, as yet, life had not been extinguished by the hardships it had undergone. What his head conceived his hand executed. Not a word had been exchanged between the two boys on the road. Below was an uninspiring street, a thoroughfare of boarding-houses and apartments. It is for that reason that this novel begins with her there, and neither earlier nor later, for it is the history of this crisis and its consequences that this novel has to tell.
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