She was dressed in a little white frock, with a very long body, and very short sleeves, which looked (from a certain fullness about the hips,) as if it was intended to be worn with a hoop. “You are absurd,” she declared. “You ARE a female thing at bottom,” he admitted. “I will wait for you on the pavement, if you like,” he said, “but I am going to the ‘Unusual’ with you. She interrupted. So the talk went on, and presently they were criticising novelists, and certain daring essays of Wilkins got their due share of attention, and then they were discussing the future of the theatre. Jackson, I could almost fancy we had met before. Yes; she had heard the music the night before. “Do you mean, aunt,” she asked, “that my father thought I had gone off—with some man?” “What else COULD he think? Would any one DREAM you would be so mad as to go off alone?” “After—after what had happened the night before?” “Oh, why raise up old scores? If you could see him this morning, his poor face as white as a sheet and all cut about with shaving! He was for coming up by the very first train and looking for you, but I said to him, ‘Wait for the letters,’ and there, sure enough, was yours.
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