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” She put her face closer to his. You denied it, remembering that I had called myself Anna. ‘Oh! little Vee!’ he cried, ‘little Vee!’ and put his face between his hands and sat still for a long time before he broke out again. . ’ ‘I do not care any more about the portrait,’ Melusine said, opening the door to the attic corridor that gave off onto the row of little rooms that served as private cells for the senior nuns. I want to do without that for a time. “I am exceedingly sorry,” he said. He began a jerky, broken conversation that lasted until they reached the station, and left her puzzled at its drift and meaning. Wild had a narrow escape lately, in that affair of Captain Darrell," observed Shotbolt. He knew she was out there, he could feel it. But you must come this way now. She was never able to trace the changes her attitude had undergone, from the time when she believed herself to be the pampered Queen of Fortune, the crown of a good man’s love (and secretly, but nobly, worshipping some one else), to the time when she realized she was in fact just a mannequin for her lover’s imagination, and that he cared no more for the realities of her being, for the things she felt and desired, for the passions and dreams that might move her, than a child cares for the sawdust in its doll. ‘Why do you think I told you about the portrait? I’d not seen it, of course, but I’d seen Miss Mary just before she got married, which is when it was painted.

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