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‘Who, the émigrés?’ ‘Do I speak of the English, imbecile? Certainly the émigrés. A vein of conviction mingled with his burlesque. The Scotchman informed Ann Veronica that your view of beauty necessarily depended on your metaphysical premises, and the young man with the Russell-like hair became anxious to distinguish himself by telling the Japanese student that Western art was symmetrical and Eastern art asymmetrical, and that among the higher organisms the tendency was toward an external symmetry veiling an internal want of balance. “My sister and I,” she said slowly, “have seen very little of each other lately. But we smirk a little, I’m afraid, habitually when we talk to you. ’ Madame ventured a glance up at his face, and fluttered her lashes.
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