Won’t you let me—can’t I be of any assistance?” He was obviously in earnest. He was accompanied by a young man of about seven-and-twenty, who carried his easel, set it in its place, laid the canvass upon it, opened the paint box, took out the brushes and palette, and, in short, paid him the most assiduous attention. Stir a foot, and I strike. You on the other hand have to come to London, a worker, with the responsibility of life upon your own shoulders—and in addition all the burden of her follies. “Very well,” he said, “I will go. Widgett was a journalist and art critic, addicted to a greenish-gray tweed suit and “art” brown ties; he smoked corncob pipes in the Avenue on Sunday morning, travelled third class to London by unusual trains, and openly despised golf. There were menacing possibilities; the thought of them set him a-tremble. I die happy—quite happy in beholding you. The entire city seemed to exist for beauty and art alone. "You're right Jack," he said, after a pause, during which he contemplated the picture with the most fixed attention: "this must have been my father!" "No doubt of it," answered Sheppard; "only compare it with Winny's drawing, and you'll find they're as like as two peas in a pod. There’s nothing a girl can do that isn’t sweated to the bone. His lips parted in a rare smile.
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