’ I don’t know what you’d call it —a sort of witchery, almost suggestiveness. What the devil is the matter, Dunster?” “I beg your pardon, sir,” the man answered, “there is a lady here to see you. The Scotchman informed Ann Veronica that your view of beauty necessarily depended on your metaphysical premises, and the young man with the Russell-like hair became anxious to distinguish himself by telling the Japanese student that Western art was symmetrical and Eastern art asymmetrical, and that among the higher organisms the tendency was toward an external symmetry veiling an internal want of balance. His voice had changed, the joy had gone out of it; and she understood that something from the past had rolled up to spoil this hour.
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